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191029s2018 enkg b 001 0 eng |
010 |
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|a 2018013738
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020 |
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|a9781108418584 (hbk.) :|cGBP75.00
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020 |
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|a9781108407571 (pbk.)
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020 |
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|z9781108314183 (PDF ebook)
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040 |
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|aDLC|beng|cDLC|dDLC|dTWNTU
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042 |
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|apcc
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050 |
00
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|aML172|b.B83 2018
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082 |
00
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|a782.2/2|223
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095 |
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|aNLB|bA9 |cE053020|d782.22|eB811|pBOOK|tDDC
|
100 |
1
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|aBradley, Catherine A.
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245 |
10
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|aPolyphony in medieval Paris :|bthe art of composing with plainchant /|cCatherine A. Bradley.
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260 |
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|aCambridge, UK ;|aNew York, NY :|bCambridge University Press,|c2018.
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300 |
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|axvii, 281 p. :|bmusic ;|c26 cm.
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490 |
0
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|aMusic in context
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504 |
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|aIncludes bibliographical references (p. 258-269) and index.
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505 |
0
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|aIntroduction -- Plainchant in polyphony : The Gradual Propter veritatem in organa, clausulae, and motets -- Mini clausulae and the Magnus liber organi -- Texting clausulae : repetition and regularity on the REGNAT tenor -- Framing motets : quoting and crafting refrains against plainchant tenors -- Intertextuality, song, and female voices in motets on a St. Elizabeth of Hungary tenor -- From Florence to Fauvel : rereading musical paradigms through a long-lived IOHANNE motet -- Conclusions.
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650 |
0
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|aMusic|y500-1400|xHistory and criticism.
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650 |
0
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|aMotets|y500-1400|xHistory and criticism.
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650 |
0
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|aClausulas (Part songs)|xHistory and criticism.
|
941 |
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|o66190|l633205
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