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111007s2012 nyuag b 001 0 eng c |
010 |
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|a 2011042055
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020 |
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|a9780415806657 (hbk.) :|cGBP95.00
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|a0415806658 (hbk.)
|
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|a9780415806664 (pbk.)
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|a0415806666 (pbk.)
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|z9780203121832 (ebk.)
|
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|aTWNTU|beng|cTWNTU|dTWNTU
|
042 |
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|apcc
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050 |
00
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|aMT6|b.B294 2012
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082 |
00
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|a780.9/033|223
|
095 |
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|aNLB|bA9 |cE050827|d780.9033|eB365|pBOOK|tDDC
|
100 |
1
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|aBeach, David,|d1938-
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245 |
10
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|aAnalysis of 18th- and 19th-century musical works in the classical tradition /|cDavid Beach, Ryan McClelland.
|
260 |
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|aNew York, NY ;|aAbingdon, Oxon :|bRoutledge,|c2012.
|
300 |
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|axi, 368 p. :|bill., music ;|c29 cm.
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504 |
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|aIncludes bibliographical references and indexes.
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505 |
0
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|aPart I, Principles of harmony and phrase design. A review of diatonic harmony -- Expanding the diatonic palette -- Phrase design -- Further expansion of the harmonic palette -- Part II, Analysis. Binary and rounded binary forms -- Classical sonata form -- Sonata form in the nineteenth century -- Ternary Form -- Rondo form.
|
650 |
0
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|aMusical analysis|vTextbooks.
|
650 |
0
|
|aHarmony|vTextbooks.
|
650 |
0
|
|aMusical form|vTextbooks.
|
700 |
1
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|aMcClelland, Ryan C.
|
941 |
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|l0000|o0000
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