008 |
|
040412s2004 inua b 001 0 eng |
010 |
|
|a2004008468
|
015 |
|
|aGBA471592|2bnb
|
020 |
|
|a025334459X (cloth : alk. paper)
|
020 |
|
|a9780253344595 (cloth : alk. paper)
|
035 |
|
|a(OCoLC)54974525|z(OCoLC)57199801
|
040 |
|
|aTWNTU|beng|dTWNTU
|
041 |
|
|aeng
|
042 |
|
|apcc
|
050 |
00
|
|aML3845|b.H35 2004
|
082 |
00
|
|a781/.1|222
|
090 |
|
|aML3845|b.H35 2004
|
095 |
|
|aNLB|bA9 |cE050832|d781.1|eH366|pBOOK|tDDC
|
100 |
1
|
|aHatten, Robert S
|
245 |
10
|
|aInterpreting musical gestures, topics, and tropes :|bMozart, Beethoven, Schubert /|cRobert S. Hatten
|
300 |
|
|aix, 358 p. :|bill. ;|c25 cm
|
490 |
1
|
|aMusical meaning and interpretation
|
504 |
|
|aIncludes bibliographical references (p. [323]-338) and indexes
|
505 |
0
|
|aMarkedness, topics, and tropes. Semiotic grounding in markedness and style : interpreting a style type in the opening of Beethoven's Ghost Trio, Op. 70, no. 1 -- Expressive doubling, topics, tropes, and shifts in level of discourse : interpreting the third movement of Beethoven's String Quartet in B major, Op. 130 -- From topic to premise and mode : the pastoral in Schubert's Piano Sonata in G Major, D 894 -- The troping of topics, genres, and forms : Bach, Mozart, Beethoven, Schubert, Schumann, Brahms, Bruckner, Mahler -- Musical gesture. Foundational principles of human gesture -- Toward a theory of musical gesture -- Stylistic types and strategic functions of gestures -- Thematic gesture in Schubert : the Piano Sonatas in A Major, D. 959, and A Minor, D 784 -- Thematic gesture in Beethoven : the Sonata for Piano and Cello in C Major, Op. 102, no. 1 -- Gestural troping and agency -- Continuity and discontinuity. From gestural continuity to continuity as premise -- Discontinuity and beyond
|
600 |
10
|
|aMozart, Wolfgang Amadeus,|d1756-1791|xCriticism and interpretation
|
600 |
10
|
|aBeethoven, Ludwig van,|d1770-1827|xCriticism and interpretation
|
600 |
10
|
|aSchubert, Franz,|d1797-1828|xCriticism and interpretation
|
650 |
0
|
|aMusic|xSemiotics
|
830 |
0
|
|aMusical meaning and interpretation
|