|aThe feminism and visual culture reader /|cedited by Amelia Jones.
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|a2nd ed.
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|aLondon :|bRoutledge,|cc2010.
300
|axxxv, 693 p. :|bill. ;|c25 cm.
490
1
|aIn sight. Visual culture
500
|aPrevious ed.: London: Routledge, 2002.
504
|aIncludes bibliographical references and index.
505
00
|gpt. 1. Provocations.|tFear and loathing in New York : revisiting an impolite anecdote about the interface of homophobia and misogyny /|rJennifer Doyle --|tNegotiating feminisms in contemporary Asian women's art /|rLisa E. Bloom --|tOne way or another : Black feminist visual theory /|rJudith Wilson --|tNext bodies : with a difference /|rFaith Wilding --|tHermstory /|rDel LaGrace Volcano --|tFeminist curating and the "return" of feminist art /|rConnie Butler, Amelia Jones, Maura Reilly --|gpt. 2. Representation.|tWays of seeing /|rJohn Berger --|tFemale imagery /|rJudy Chicago, Miriam Schapiro --|tVisual pleasure, narrative cinema /|rLaura Mulvey --|tTextual strategies : the politics of art-making /|rJudith Barry, Sandy Flitterman-Lewis --|tFilm and the masquerade : theorizing the female spectator /|rMary Ann Doane --|tDesiring images/imaging desire /|rMary Kelly --|tScreening the Seventies : sexuality and representation in feminist practice : a Brechtian perspective /|rGriselda Pollock --|tThe oppositional gaze : Black female spectators /|rBell Hooks --|tBroken symmetries : memory, sight, love /|rPeggy Phelan --|tFeminist theory and the politics of art /|rElizabeth Grosz --|tIntroduction from touch : sensuous theory and multisensory media /|rLaura U. Marks --|tThe transgender look /|rJudith Halberstam --|gpt. 3. Differences.|tLesbian artists /|rHarmony Hammond --|tThe straight mind /|rMonique Wittig --|tBlack bodies, white bodies : toward an iconography of female sexuality in late nineteenth-century art, medicine, and literature /|rSander L. Gilman --|tThe colonial harem : images of a suberoticism /|rMalek Alloula --|tDifference : "a special third world women issue" /|rTrinh T. Minh-ha --|tOlympia's maid : reclaiming Black female subjectivity /|rLorraine O'Grady --|tA posttranssexual manifesto /|rSandy Stone --|tThe other history of intercultural performance /|rCoco Fusco --|t"The white to be angry" : Vaginal Creme Davis's terrorist drag /|rJose Esteban Munoz --|tDroits de regards/right of inspection /|rAmy Villarejo --|gpt. 4. Histories.|tWhy have there been no great women artists? /|rLinda Nochlin --|tFeminism and film : critical approaches /|rCamera Obscura Collective --|tThe triple negation of colored women artists /|rAdrian Piper --|tPatrilineage /|rMira Senor --|tIn search of a discourse and critique(s) that center the art of Black women artists /|rFreida High (Wasikhongo Tesfagiorgis) --|tIntroduction, once upon a time-- /|rCatriona Moore --|tThe knowledge of the body and the presence of history : toward a feminist architecture /|rDeborah Fausch --|tGossip as testimony : a postmodern signature /|rIrit Rogoff --|tThe ballerina's phallic pointe /|rSusan Leigh Foster --|tRenaming untitled flesh : marking the politics of marginality /|rMeiling Cheng --|tThe social and the poetic : feminist practices in architecture, 1970-2000 /|rPatricia Morton --|tResearching cultures and the omitted footnote : questions on the practice of feminist art history /|rAngela Dimitrakaki --|tGlobal feminisms : five essays from Global feminisms : new directions in contemporary art, ed. Maura Reilly and Linda Nochlin (London : Merrell, 2007 /|rGeeta Kapur ... [et al.] --|gpt. 5. Readings/interventions.|tHateful contraries : media images of Asian women /|rPratibha Parmar --|tThe search for tomorrow in today's soap operas /|rTania Modleski --|tFeminist media strategies for political performance /|rSuzanne Lacy, Leslie Labowitz --|tIntroduction and conclusion to The guerrilla girls' bedside companion to the history of western art /|rThe Guerrilla Girls --|tYou make me feel (mighty real) : Sandra Bernhard's whiteface /|rAnne Pellegrini --|tReflections on a yellow eye : Asian i(eye)cons and cosmetic surgery /|rKathleen Zane --|tIntroduction to color of rape : gender and race in television's public spheres /|rSujata Moorti --|tVisibility, violence and voice? : attitudes to veiling post-11 September /|rAlison Donnell --|tInsides, outsides : trauma, affect, and art /|rJill Bennett --|tTheir memory is playing tricks on her : notes toward a calligraphy of rage /|rCatherine Lord --|gpt. 6. Bodies.|tMaking up : role-playing and transformation in women's art /|rLucy Lippard --|tPornography /|rAndrea Dworkin --|tPerformative acts and gender constitution : an essay in phenomenology and feminist theory /|rJudith Butler --|tToward a butch-femme aesthetic /|rSue-Ellen Case --|tFetishism and hard core : Marx, Freud, and the "money shot" /|rLinda Williams --|tTheorizing the female nude /|rLynda Nead --|tThe secret's eye /|rRebecca Schneider --|tBreadcrumbs in the forest : three meditations on being lost in space /|rVivian Sobchack -- Living a body myth, performing a body reality : reclaiming the corporeality and sexuality of the Indian female dancer /|rRoyonaa Mitra --|tDisidentification in the center of power : the porn performer and director Belladonna as a contrasexual culture producer (a letter to Beatriz Preciado) /|rTim Stuettgen --|gpt. 7. Technologies.|tA cyborg manifesto : science, technology, and socialist-feminism in the late twentieth century /|rDonna Haraway --|tVirtual bodies and flickering signifiers /|rN. Katherine Hayles --|tTo touch the other : a story of corpo-electronic surfaces /|rChristine Ross --|tThe virtual body in cyberspace /|rAnne Balsamo --|tPostcolonial media theory /|rMaria Fernandez --|tFeminisations : reflections on women and virtual reality /|rSadie Plant --|tCyberfeminist manifesto /|rVNS Matrix --|tCyberfeminism with a difference /|rRosi Braidotti --|tThe appended subject : race and identity as digital assemblage /|rJennifer Gonzalez --|tMy womb, the mosh pit /|rSharon Lehner --|tRace in/for cyberspace : identity tourism and racial passing on the internet /|rLisa Nakamura --|tScreening the gene : Hollywood cinema and the genetic imaginary /|rJackie Stacey.