|aIn the mind's eye :|bJulian Hochberg on the perception of pictures, films, and the world /|cedited by Mary A. Peterson, Barbara Gillam, H.A. Sedgwick.
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|aOxford ;|aNew York :|bOxford University Press,|c2007.
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|axxi, 634 p. :|bill. ;|c25 cm.
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|aIncludes bibliographical references and indexes.
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|g1|tFamiliar size and the perception of depth --|g2|tA quantitative approach to figural "goodness" --|g3|tApparent spatial arrangement and perceived brightness --|g4|tPerception: toward the recovery of a definition --|g5|tThe psychophysics of pictorial perception --|g6|tPictorial recognition as an unlearned ability: a study of one child's performance --|g7|tRecognition of faces --|g8|tIn the mind's eye --|g9|tAttention, organization, and consciousness --|g10|tComponents of literacy --|g11|tReading as an intentional behavior --|g12|tThe representation of things and people --|g13|tHigher-order stimuli and inter-response coupling in the perception of the visual world --|g14|tFilm cutting and visual momentum --|g15|tPictorial functions and perceptual structures --|g16|tLevels of perceptual organization --|g17|tHow big is a stimulus --|g18|tFrom perception: experience and explanations --|g19|tThe perception of pictorial representations --|g20|tMovies in the mind's eye --|g21|tLooking ahead (one glance at a time) --|g22|tThe piecemeal, constructive, and schematic nature of perception --|g23|tHochberg: a perceptual psychologist --|g24|tMental schemata and the limits of perception --|g25|tIntegration of visual information across saccades --|g26|tScene perception: the world through a window --|g27|t"How big is a stimulus?": learning about imagery by studying perception --|g28|tHow big is an optical invariant?: limits of tau in time-to-contact judgments --|g29|tHochberg and inattentional blindness --|g30|tFraming the rules of perception: Hochberg versus Galileo, Gestalts, Garner, and Gibson --|g31|tOn the internal consistency of perceptual organization --|g32|tPiecemeal perception and Hochberg's window: grouping of stimulus elements over distances --|g33|tThe resurrection of simplicity in vision --|g34|tShape constancy and perceptual simplicity: Hochberg's fundamental contributions --|g35|tConstructing and interpreting the world in the cerebral hemispheres
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|a--|g36|tSegmentation, grouping, and shape: some Hochbergian questions --|g37|tIdeas of lasting influence: Hochberg's anticipation of research on change blindness and motion-picture perception --|g38|tOn the cognitive ecology of the cinema --|g39|tHochberg on the perception of pictures and of the world --|g40|tCelebrating the usefulness of pictorial information in visual perception --|g41|tMental structure in experts' perception on human movement --|tJulian Hochberg: biography and bibliography.